Opening with an acoustic rendition of "The Man," from her 2019 album, Lover, Swift delivered a critique of gender double standards with a sense of humor (and a perfectly deployed hair toss), Leonardo DiCaprio name check and all. Turning to the piano with a smile for Lover's title track, she explained the guitar-string scars of the song's bridge. Picking up the guitar again for "Death by a Thousand Cuts," Swift confronted a question that she says has haunted her career: What will you ever do if you get happy? Across the song's run-on thoughts and relentless searching, Swift offered an answer: She'll continue to excel at crafting superb story-songs.
Though most Tiny Desk concerts stop at three songs, we couldn't turn down the chance to hear "All Too Well" from Swift's 2012 album, Red. Routinely cited by critics and fans alike as a favorite, the beloved track has become the stuff of Swiftie legends, striking in its specificity (that scarf!) and relatable in a way that anyone who has loved and lost can understand.
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